Artist Thierry Cohen photographs the world’s major cities, seeking out views that resonate for him and noting the precise time, angle, and latitude and longitude of his exposure.
In Thierry Cohen’s series, Darkened Cities, we think we see bright night skies over cities. Very traditional, very poetical. Actually, what we’re seeing is the opposite. These skies are an indictment and a lament. These are the skies that we don’t see. They are also extremely clever photography, in which highly skilled execution provides rich layers of meaning.
This is a very powerful treatment. It is laborious in the extreme. To find places with the right degree of atmospheric clarity, Cohen has to go – always on the latitudes of our cities – into the wild places of the earth, the Atacama, the Mojave, the northern wastes of Mongolia. Who among us beyond a handful of professional astronomers would know if Cohen cut the odd corner by finding a good sky not quite so remote? But photography has always had a very tight relationship to reality. A good sky is not the right sky. And the right sky in each case has a huge emotional effect.
“What’s most amazing about the Kailashnath Temple is that it’s carved out of one single rock. Carvers started at the top and excavated downward, exhuming the temple out of the existing rock. The traditional methods were rigidly followed by the master architect, which could not have been achieved by excavating from the front.” [via]